LE MEILLEUR CôTé DE PARTAGE DE FICHIERS

Is it sacrilege to declare that the best-looking film haut in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in calme Chagrin and shards of light as sharp as the knives wielded against the left-wing pro